Cultural Psychology of Musical Experience
A volume in the series: Advances in Cultural Psychology: Constructing Human Development. Editor(s): Jaan Valsiner, Niels Bohr Professor of Cultural Psychology, Aalborg University.
This book forms a basis and a starting point for a closer dialogue between musicologists, anthropologists and psychologists to achieve a better understanding of the cultural psychology of musical experience. This is done by arranging a meeting point or an arena in which different aspects of psychology and musicology touch and encounters each other due to how the two fields might be defined today. In line with this the book consists of a group of scholars that have their feet solidly grounded in psychology, social science or musicology, but at the same time have a certain interest in uniting them. On this basis it is divided into five parts, which investigates musical sensations, musical experiences, musical transformations, musical fundamentals and the notion of a cultural psychology of music. Thus another aim of this book is to prepare the basis for a further growth of a cultural psychology that is able to include the experiences of music as a basis for understanding the ordinary human life. Thus this book should be of interest for those who want to investigate the mysterious intersection between music and psychology.
"Near a century ago, Alfred North Whitehead, a philosopher sensitive to the natural vitality of human intelligence, warned against the restriction of awareness by ‘products of logical discernment’. This book makes a bold and much needed effort to recover an appreciation of the creative agency in music of all kinds, which supports mastery of all domains of cultural intelligence, including language, and ‘artificial intelligence’. We need to replace a rational psychology of musical form with appreciation of impulses of ‘musicality’ in the life of every human society. From birth, and before, a human mind is eager to share the rhythms and tones of awareness-with-feeling in body movement, elaborated in song, instrumental performance or dance. The scholastic disciplines of psychology, anthropology, musicology and ethnomusicology, separated by artificial conventions, need to recover this common ground by 'a project that aims at assembling disciplines that have been separated and developed individually for almost hundred years ... to achieve a better understanding of the cultural psychology of musical experience.' This collection of papers boldly meets this challenge, with skillful respect for the complicated history of our understanding."
Professor (Emeritus) of Child Psychology and Psychobiology,
School of Philosophy, Psychology and Language Sciences, The University of Edinburgh
"This book is an important marker in the next wave of interdisciplinary socio-musical study. Culture, individual experience, and social forces converge here and are addressed, and sometimes redressed, through musical means. Bravo!"
Professor, Sociology, Philosophy & Anthropology (SPA)
Exeter University EX4 4RJ, UK
"Klempe has crafted a fascinating collection of discussions that is accessible and inspiring. Both students and experts will find this book invaluable."
Professor of Psychology Director of the Interdisciplinary Program in Cognitive Science,
Series Editor’s Preface: The Voice of Music in Cultural Psychology. Introduction. PART I: CULTURAL PSYCHOLOGY OF MUSIC. Psychological Aesthetics, Cultural Psychology, and Music, Christian G. Allesch. The Sound of Music, Tania Zittoun. Religion, Culture, and Music: A Psychological Exploration, Jacob A. Belzen. PART II: MUSICAL SENSATIONS. The “Unattainable Vibration”: Julia Kristeva, the Opera, and Psychic Life in a Mexican City, Karen Rodríguez. The Musicalization of “Reality”: Reality, Rap, and Rap Reality on Public Enemy’s Fear of a Black Planet, Anne Danielsen. Music, Language, and Ambiguity, Sven Hroar Klempe. PART III: MUSICAL EXPERIENCES. I’ll Take You There: Tuning Into Emotions With Mobile Music Technology, Arild Bergh. Everything Except Dance Band Music: Cultural Omnivorousness, Norms, and the Formation of Taboos, Petter Dyndahl. Timescales in Musical Experience, Rolf Inge Godøy. PART IV: MUSICAL TRANSFORMATIONS. Music, Medicine, and Psychiatry in Late 18th and First Half 19th Century Vienna, Andrea Korenjak. Music Listening and the Experience of Surrender: An Exploration of Imagery Experiences Evoked by Selected Classical Music From the Western Tradition, Lars Ole Bonde and Katarina Mårtenson Blom. Musical Agency: A Perspective From Community Music Therapy, Viggo Krüger and Brynjulf Stige. Music, a Bedrock in the River of Life: Exploring Health Assets in Rhythm Sound Movement and Community Musicking, Lise Jaastad. PART V: MUSICAL FUNDAMENTALS. Silence and Sense-Making: The Musicality of Affect Restored to Wissenschaft in Everyday Life, Olga V. Lehmann. Music by Numbers, Martin Knakkergaard. The Language Fallacy in Psychology, Sven Hroar Klempe. About the Contributors.
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